Last week I went to a museum. No great surprise there
really. I go to a lot of museums, and perhaps surprisingly not always for the
cafe and gift shop - although I'll admit to buying a book. Again. In many
respects it was a museum much like any other county style museum. A mix of
everything from geology and rock strata, to displays of medieval arms and
armour, and Roman sculpture. It was well presented, with fascinating displays,
a good level of available information and, it must be said, brilliantly
attentive staff. Truly lovely people. To be honest, despite it being a county
museum, in a major tourist city, it really wasn't very busy - which rather
surprised me. Outside in the museum gardens hundreds of people were sunning
themselves, eating ice-cream, and eying up the sporty types in lycra jogging
around the perimeter. However, inside was brightly lit, but cool, and largely
empty. I suppose that's why the two little kids moving just ahead of me caught
my attention.
The kids were having a whale of a time, and if their parents
were around I didn't see them. They were loving some of the displays, enjoying
the gallery by gallery trails that had been developed for just their sort of
inquisitive minds, pressing as many brightly lit buttons as was humanly
possible, and getting a real kick out of the whole thing. Obviously there were
bits that left them cold. Areas where they quickly moved on, past yet another
Roman sculpture with a broken nose, where I paused and lost sight of them.
However, eventually we'd meet up again, as they were delayed by something that
caught their interest, or detained by a particularly entertaining quiz where,
they had discovered, if you pressed ALL the buttons at once you could get the
whole screen to freeze for at least a minute whilst it worked out what the hell
was going on. And so we progressed together, shadowed discretely by a member of
staff, clearly intent on keeping the kids in line of sight, and making sure I
wasn't pilfering any additional noses from Roman sculptures. After all, they'd clearly
lost enough already...
And so it was that I came across the two kids in the Roman archaeology
gallery, squatting down beside a long glass case. As I got closer I could see
that they were taking a great deal of interest, indeed taking turns, to put
their heads down at the end of the case, so that they could stare up the entire
length of it. In the case was a set of human remains - a skeleton - and the
kids were taking it in turns to stare along the length of the bones. I wandered
quietly over, wondering what it was they found quite so fascinating, only to
hear one of them say - "if she was alive, you'd be looking right up her
dress..."
Well, kids are kids, and I'm not one to judge. Indeed, it
brought to mind a school trip I myself made to the British Museum somewhere
back in the mists of time. Mostly I remember the train journey by modern diesel
locomotive - a novelty for anyone brought up in Norfolk where 'historic'
railways are the norm - and the early British gallery. Beyond the wonders of
the Sutton Hoo treasure, and the shinning silver of the Mildenhall treasure,
the most memorable display was of the bog body. I can't tell you exactly which
bog body it was, not without looking it up, but it was fascinating. However,
fascinating to a twelve year old may not be quite the same sort of fascination
that an adult saw in it. From memory, most of my class, about thirty of us,
spent a very great deal of time crouching by the glass case, drawn by the
apparently irresistible urge to stare up the bog bodies bum-hole.
And here I was, many, many decades later, watching a couple
of kids doing pretty much the same thing as I and my classmates had done, at a
different museum, many years later. It must be a truly irresistible urge that,
like nothing other than Dr Who, really does transcend time and space.
It was at this point that the member of the museum staff intervened.
The kids were moved on - politely - and I did feel as though this was something
that both sides were familiar with. A resigned sigh from the kids, and a rush
towards the next quiz, information board, or dressing up stop. However, as I
loitered, in an apparently obviously suspicious fashion, the staff member
turned his attention on me. I got the full run down on the body that was before
me. Not just the quick gloss of the interpretation labels, but the full and
frank details. In short, the talk that he'd obviously tried to give the kids on
more than one occasion, only to be met with the squeak of hastily retreating
trainers on marble floors.
She was excavated nearby - or so I was informed. The remains
of an apparently healthy (apart from the whole being 'dead' thing) young female
who had passed away in her twenties. She dated to the Roman period, had a lovely
collection of grave goods garnered from throughout the empire, and was probably
north African in origin. She had, I was informed, most probably been born under
dry African suns, before ending her short life in the glorious damp of Roman
Yorkshire. A short, but undoubtedly eventful, life nearly two thousand years
ago.
I was quick to thank the staff member for the time he'd
taken to explain the display. He'd been very friendly, very informative, and
clearly knew his exhibits in a great deal of depth. The knowledge he presented
went well beyond the information contained on the display panels, and showed
that he'd well and truly done his homework. Even better was the fact that he
presented it in a manner that was both accessible and informative. However, I then
made the GREAT MISTAKE. I happened to mention that I, as an archaeologist of
sorts, actually had a few issues with the display of human remains in museums.
I wasn't explicit - rather just highlighting the disquiet I felt when staring
down at the dry conserved bones of this young woman. However, the change in
attitude of the museum staff member was both instantaneous and undeniable. The
warmth of the day dropped from the room. It became as cold within that gallery
as it had been within the grave of the long dead African girl. "Oh",
he said quietly, "you are one of the reburial brigade..."
Sadly, that really does define the limits of this particular
argument at the moment. The side that argues that there is value in displaying
human remains to the public, indeed making them the focus of supposedly educational
and informative displays, seems to believe that if you don’t happen to agree
with their view, to share it, then you must be one of the ‘reburial brigade’.
That if you object to such displays, then you must be in favour of removing ALL
human remains from public display and having them buried again – and, as they
will undoubtedly tell anyone who cares to listen – lost forever to science.
The problem is – I’m not. I’m not in favour of the wholesale
reburial of human remains currently kept in museum collections. Whilst I may
believe that it is inappropriate to display many of them to the public, most
particularly in the manner in which we currently do, I simply don’t believe
that we should cast away the opportunities that such remains may present to
science today – and more particularly to science in the future. Let’s be clear
about this. Science today can and has learnt a massive amount about the past,
past environments, and the people who populated that past, from human remains
recovered by archaeologist and currently stored in museums. We have learnt
about their lifestyles. We have learnt about their diets, the way and places in
which they grew up, and how they eventually left this world. We have learnt
what diseases they suffered from, who they were related to, and - if not the
dreams that filled their minds - then at least the proteins and chemicals that
made up the chemical balance of those minds.
That is really the main point here I suppose. Just because
you object to the idea of displaying human remains to the public does not
necessarily mean that you belong to the reburial brigade. Just the opposite in
fact. You can actually find the display of human remains in a museum, with
every kid able to stare up their bum-hole, actually distasteful without necessarily
suggesting that we should immediately rebury every example of human remains
currently held in every museum and archaeological store. It is possible. Trust
me on this.
I suppose it is all down to the argument, and the terms in
which it has been presented over the last decade or so. The middle ground has
rather disappeared. You are either ‘for or against’. There is no box marked
‘hang on – lets think about this for a moment’. You either agree with the
display of human remains in museums – or you are ‘one of them…’
The thing is, I think we need to change the points of
reference here. We need to change the way in which this particular case is
argued. We need to not just move the goalposts, but actually turn the whole
field around. So here goes…
I am not in favour of the wholesale reburial of human
remains currently in museums. I know that much can be learnt from them. No
arguments from me there whatsoever. However, what justification can be possibly
presented for those same human remains being on display, in a glass case, with
every second kid staring up its bum-hole, like the star attraction in a
Victorian freak show? And I do not use the ‘freak show’ comparison lightly. In
an age of 3D printing and decent reconstructions, what can the visitor or
viewer possibly learn from staring at the actual physical remains - the bones -
of a long dead individual that they
couldn’t get from a replica or reconstruction? Indeed, surely they’d learn
more, and perhaps gain a deeper empathy and understanding, from viewing a
facial reconstruction of an individual rather than just their dusty bones? Of
being able to stare at the face that was born under African suns, rather than
the bleached bones in the glass case.
So there really lies the challenge. And it's a challenge not
aimed at the likes of me - the people who find such displays distasteful and
morally questionable - but at those who believe they are justified and
justifiable. For that is what you have to do. You need to justify to the world
exactly why you believe anything educational, anything fundamentally useful,
can be gained from putting the earthly remains of a dead person on display in a
museum. You need to explain why it is necessary to showcase the bones of a dead
child to the public, and explain exactly why the public will learn more from
those bones than they would from a competent reconstruction or replica. It
certainly isn't the old, often repeated, story of 'authenticity'. After all,
many of our most famous museum exhibits in the UK are also occasionally
replaced by replicas, and nobody is any the wiser, nobody takes away anything
less from the experience - so why not the human remains? If you can't fully
justify it, if there really isn't a valid educational reason (and I've yet to
come across one), then we really must simply accept the 'freak show' tag. We
are displaying dead human beings - dead people - to attract others to come and
gawp at them. They may not be 'half fish - half man', they may not be quite the
'bearded lady', but the motivations of both those who come to stare, and those
who put them on display, are largely the same.
Whoever those people were, from whatever age, and of
whatever religion or system of belief, we can be pretty sure of one thing. It
is a simple and single tangible point in the morass of history. They and their
loved ones believed, no matter what (if any) afterlife they were destined for,
that their earthly remains would rest in peace. They believed that their mortal
remains were being interred or disposed of in a manner that would ensure they
were left largely undisturbed. They may have stripped the flesh from those
bones, they may have hollowed out mighty logs to place them in, they may have
carefully bound them in unbleached lined - but they believed that it was, quite
simply, forever. This was important to them. It meant something to them. They
respected their dead. Respected them enough to go, in some cases, to great
lengths to ensure they remained undisturbed. We should perhaps learn to respect
them, their beliefs, and their clear wishes also. After all, in a couple of
thousand years, do you really want a bunch of sniggering schoolboys staring up
YOUR desiccated bum-hole?
Whole heartedly agree with your re-burial comments, and love to read your blogs. Attended some conferences with Druids and Archeologists discussing the issue some years ago, and as long as their provenance is known and contextual, hang onto them. I did come across the Tanfield memento mori tomb in Burford recently, with a human femur among the carved bones...
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